Website Designer: Jessie Lingenfelter
William Powell Frith
William Henry Hunt
Marcus Stone (1840-1921)
Life at the Seaside
The Vicar of Wakefield
The Sleepy Model
The Salon d'Or
Private View Day at the Royal Academy
Fruit
Claudio, deceived by Don John,
accuses Hero
accuses Hero
The First Love Letter
Love at First Sight
A Stolen Kiss
Alma- Tadema
The Roses of Heliogabalus
Spring
Self Portrait
Frederic Lord Leighton
Cimabue’s Celebrated Madonna Carried in
Procession through the Streets of Florence
Procession through the Streets of Florence
The Fisherman and the Syren
Lieder ohne Worte
Girl Feeding Peacocks
Golden Hours
The Painter’s Honeymoon
Self Portrait 1880
Atkinson Grimshaw
Liverpool
The Lovers
Salthouse Dock
Dulce Domum
Elaine
Summer
Sixty Years Ago
The Reconciliation of the
Montagues and Capulets
Montagues and Capulets
Girl with a
Basket of Fruit
Basket of Fruit
Dante in Exile
Chapter Nine
Chapter nine presents the different effects that this dealer-centered market had on paintings produced under such conditions. The changes that differentiate nineteenth-century British pictures from their eighteenth-century predecessors can be explained, in addition to the traditional social causes, by the appropriation of the art market by institutionalized dealers for the purpose of selling art products to primarily middle class consumers for domestic use.
Triumph of Music
The Last Sunday of Charles II
The Lady of Shalott
J.E. Millais
The Black Brunswicker
The Huguenot